textonic library

Academy Editions, (1995) Art and the Tectonic (A&D Profile)

Beim, A (2004) Tectonic Visions

Bötticher, K (2004)Die Tektonik der Hellenen

Bressani, M (1996) “The Life of Stone: Viollet-le-Duc's Physiology of Architecture,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Brownell, B (2006)  Transmaterial: A Catalog of Materials that Redefine our Physical Environment

Cache, B (2002) “Gottfried Semper: stereotomy, biology and geometry” Architectural Design Vol 72 pp 28-33

Cook,M (2004) “Digital tectonics: historical perspective e future prospect,” in: N Leach, et al (eds) Digital tectonics, pp 40-49

Deplazes A (2005) Constructing Architecture: Materials, Processes, Structures

Fausch, D (1996) “The Oppositions of Postmodern Tectonics,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Frampton, K (1990) Rappel a l’ordre: the case for the tectonic Architectural Design Vol 60 pp 19e25

Frampton, K (1995) Studies in tectonic culture

Frascari, M (1983) Tell-the-tale detail, in: K Nesbitt (ed) Theorizing a new agenda for architecture: an anthology of architecture theory 1965-1995, pp 498-515

Gao, W P (2004) Tectonics? A case study for digital free-form architecture in: Proceedings of Computer Aided Architectural Design Research in Asia, pp 519-534

Gregotti, V (1983) The exercise of detailing, in: K Nesbitt (ed) Theorizing a new agenda for architecture: an anthology of architecture theory 1965-1995, pp 494-497

Ham, J J (2003). “The computer as a tectonic design tool: comparisons between virtual and actual construction,” in: Proceedings of Education and Research in Computer Aided Architectural Design in Europe, Graz, pp 265-268

Isenstadt, S (1996) “Spectacular Tectonics,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Kollhof, H (1993) Über Tektonik in der Baukunst

Leach, N (2004) Swarm tectonics, in: N Leach, et al (eds) Digital tectonics, pp 70-77

Leach, N (2006) Camouflage

Leatherbarrow, D (2005) Surface Architecture

Lecuyer, A (2001) Radical Tectonics

Loos, A (1982) "The Principle of Dressing" (1898), in: Adolf Loos, Spoken into the Void: Collected Essays 1897-1900, trans. J. Newman and J. Smith (Cambridge, Mass.: MIT Press, 1982), 66-69.

Lynn, G (1996) “Blobs, or Why Tectonics is Square and Topology is Groovy,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Mertins, D (1996) “Walter Benjamin's "Tectonic" Unconscious,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Mitchell, W J (1998) Antitectonics: the poetics of virtuality, in: J Beckmann (ed) The virtual dimension: architecture, representation and crash culture, Princeton Architectural Press, New York pp 205e217

Moneo, R (1988) “The idea of lasting: a conversation with Rafael Moneo” Perspecta Vol 24 pp 146-157

Mori, T (2005) Textile/Tectonic: Architecture, Material, and Fabrication

Mori, T (2005) Immaterial/Ultramaterial: Architecture, Design, and Materials

Neumeyer, F (1993) "Tektonik: Das Schauspiel der Objektivität und die Wahrheit des Architekturschauspiels", in: Über Tektonik in der Baukunst

Oechslin, W (1993) "The Evolutionary Way to Modern Architecture: The Paradigm of Stilhulse und Kern," in: Otto Wagner: Reflections on the Raiment of Modernity, ed. Harry Francis Mallgrave, 363-410.

Rakatansky, M (1996) “Tectonic Acts of Desire and Doubt: What Kahn Wants to Be,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Reiser, J (2006) Atlas of Novel Tectonics

Ryan, R (2001) Cool Construction

Sankovitch, A (1993) “Structure/ornament and the modern figuration of architecture,”Art Bulletin,Dec, 1998

Schwarzer, M (1993) “Ontology and Representation in Karl Botticher's Theory of Tectonics,” The Journal of the Society of Architectural Historians, Vol. 52, No. 3 (Sep., 1993), pp 267-280

Schwarzer, M (1996) “Tectonics Unbound,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Schwarzer, M (1996) “Tectonics of the Unforeseen,” in: ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Sekler, E F (1965) “Structure, construction, tectonics,” in: G Kepes (ed) Structure in art and in science, pp 89-95

Semper, G (1989) The Four Elements of Architecture and Other Writings, trans. H. F. Mallgrave and W. Herrmann, intro. W. Herrmann

Semper, G (2004) Style in the Technical and Tectonic Arts; or, Practical Aesthetics, MIT

Spuybroek, L (2003) “Textile tectonics,” in B Tschumi and I Cheng (eds) The state of architecture at the beginning of the 21st century, pp 102-103

Vallhonrat, C (1988) “Tectonics considered: between the presence and the absence of artifice,” Perspecta Vol 24 pp 122-135

Wolf, S C (1996) “The Metaphysical Foundations of Schinkel's Tectonics: eine Spinne im eigenen Netz,” in:  ANY 14: Tectonics Unbound: Kernform and Kunstform Revisited!

Namen die tevens interessant zijn om te onderzoeken zijn: John Ruskin, E.E. Viollet le Duc, Edward Lacy Garbett, Samuel Ware, William Whewell, Augustus Welby Northmore Pugin, William Morris, Robert Willis

(Jose Rivera, Cloud Tectonics, 1997)