General Bibliography

Abrams, M.H., The Mirror and the Lamp; Romantic Theory and the Critical Tradition, New York 1953.

Abrams, M.H. (ed.), Literature and Belief, English Institute Essays, New York 1958 (1957)

Agincourt, Jean Baptiste Louis Georges Seroux d', Histoire de l'art, par les monumens, depuis sa décadence au 4e siècle jusqu'à sont renouvellement au 16e, ouvrage enrichi de 325 planches, Paris 1823.

Aikin, Edmund, An Essay on the Doric Order of Architecture, Containing a Historical View of Its Rise and Progress Among the Ancients, With a Critical Investigation of Its Principles of Composition and Adaptation to Modern Use Illustrated by Figures of the Principal Antique Examples, Drawn to Scale, from the Best Authorities, Published by the London Architectural Society, J. Taylor, London 1810.

Alberti, Leon Batista, Ten Books on Architecture, Ital. tr. Cosimo Bartoli, Engl. tr. James Leoni, ed. Joseph Rykwert, London 1965 (1755).

Aldridge, A.O., "Primitivism in the Eighteenth Century," in: Dictionary of the History of Ideas, Studies of Selected Pivotal Ideas, ed. P.P. Wiener, New York 1973.

Alison, Archibald, Essays on the Nature and Principles of Taste, Edinburgh 1790 & 1811.

Allan, J.P., "An Ideal Dwelling," Rudiments of the Art of Building by E. Dobson, 15th edition, Crosby Lockwood & Son, 15th ed., London 1901.

Altick, Richard D., Victorian People and Ideas, Norton 1973.

Amrine, Frederick, ed., Literature and Science as Modes of Expression, Dordrecht 1989.

Anon., The Great Architect: His Plan of Salvation in the Temple of the Dead Stones and Living Stones, God and Man, Longmans & Co., London 1868.

Anon., Who was the First Architect? Or Bees and Bee-hives, T. Nelson & Sons, London 1874.

Anon., [Mitford W.] Principles of Design in Architecture Traced in Observations on Buildings....in a Series of Letters to a Friend, London 1819.

Anon., Something on Ruskinism, With a 'Vestibule' in Rhyme, By An Architect, Robert Hastings, London 1851.

Anthony, P.D., John Ruskin's Labour: A Study of John Ruskin's Social Theory, Cambridge 1984.

Aristotle, “On the Art of Poetry,” in Aristotle, Horace, Longinus, Classical Literary Criticism, transl. T.S. Dorsch, Harmondsworth 1975 (1965).

Ashton, Rosemary, The German Idea: Four English Writers and the Reception of German Thought 1800-1860, Cambridge 1980.

Auerbach, E., Mimesis, tr. W.R. Trask, Princeton 1968 (1946).

Bachelard, Gaston, The Poetics of Space, tr. Maria Jolas, Boston 1994, (Paris 1957)

Baillie, J., An Essay on the Sublime, (1747) introd. Samuel Holt Monk, New York 1967.

Ball, Patricia, M., The Science of Aspects, London 1972; esp. Chapter 2: 'Ruskin and "The Pure Fact"'.

Baltrusaitis, J., "Le roman de l'architecture gothique," Aberrations, Paris 1957 pp. 74-96.

Banham, Reyner,Theory and Design in the First Machine Age, Oxford 1972, (1960).

Bann, Stephen, The Clothing of Clio, A Study of the Representation of History in Nineteenth Century Britain and France, Cambridge 1984.

Barasch, M., Theories of Art, From Plato to Winckelmann, New York & London 1985.

Barthes, Roland, Sade, Loyola, Fourier, Paris 1971.

Bartholomew, Alfred,Specification for Practical Architecture, with an Essay on the Structure and Science of Modern Buildings, Upon the Basis of a Work by A. Bartholomew, Thoroughly Revised, Corrected and Greatly Added to by Frederick Rogers, R.A. Sprigg, Atchley & Co., London 1872. 8o. (Reissued Lockwood & Co. London 1873, 2nd ed. revised with additions, Lockwood & Co., London 1886, 3rd ed. rev. with add. 1893.)

Bartholomew, Alfred,Sacred Lyrics, Being an Attempt to Render the Psalms of David more Applicable to Parochial Psalmody, London 1831.

Bartholomew, Alfred, Hints Relative to the Construction of Fire-Proof Buildings, John Williams, London 1839, 8o.

Bartholomew, Alfred, Specifications for Practical Architecture, Preceded by an Essay on the Decline of Excellence in the Structure and in the Science of Modern English Buildings with the Proposal of Remedies for those Defects, London 1840. (2nd ed. 1846)

Bassin, Joan, "The Competition System: Architectural Competitions in Nineteenth Century England," Unpublished Phd Thesis, Indiana University 1975.

Bateson, G. & Mary Catherine Bateson, Angels Fear: Towards an Epistemology of the Sacred, New York 1987.

Batteux, Abbé, Les Beaux-Arts réduit à un même principe, Paris 1746.

Beardsley, M.C., Aesthetics From Classical Greece to the Present, A Short History, University of Alabama 1975 (repr. 1985 1st ed. 1966)

Beardsley, M.C., "Theories of Beauty Since the Mid-Nineteenth Century," in: Dictionary of the History of Ideas, ed. P.P. Wiener, New York 1973.

Bebbington, D.W., Evangelicalism in Modern Britain, A History from the 1730’s to the 1980’s, London 1989.

Becker, George, The Mad Genius: A Study in the Sociology of Deviance, Beverly Hills 1978.

Becker, C.L., The Heavenly City of the Eighteenth Century Philosophers, New Haven 1948 (1932).

Beer, E. S. de, "Gothic: Origin and Diffusion of the Term, the idea of style in architecture," JWCI, XI (1948) 151 ff.

Bell, Charles, Essays on The Anatomy of Expression in Painting, London 1806.

Bell, Charles, The Hand: Its Mechanism and Vital Endowments as Evincing Design, London 1833, (A Bridgeater Treatise)

Benjamin, Walter, Illuminations, London 1970.

Bennet, J.A., "Christopher Wren: The Natural Causes of Beauty" Architectural History, XV (1972) 5-22.

Bennet, Scott, "Revolutions in Thought: Serial Publications and the Mass Market for Reading," in: The Victorian Periodical Press: Samplings and Soundings, ed. J. Shatlock & M. Wolff, Toronto 1982.

Bentham, rev. James & Willis, B., The History of Gothic and Saxon Architecture in England, London 1798.

Bentham, rev. James., Captain F. Grose, J. Warton & J. Milner,

Essays on Gothic Architecture, London 1800. (1802, 1808)

Bentham, James, History and Antiquities of the Conventual and Cathedral Church of Ely, from the foundation of the Monastery, A.D. 673, to the year 1771, London 1771.

Benziger, J., "Organic Unity, Leibniz to Coleridge," PMLA, LXVI (1951) 24-48.

Bernheimer, Richard, "Gothic Survival and Revival in Bologna," Art Bulletin, XXXVI, 4 (Dec. 1954)

Bialstocki, Jan, "Physiognomy," & "Individual Characterization and Style," McGrawhill Enc. of World Art, London 1967, Colls. 373-375.

Blackburn, J., "Remarks on Ecclesiastical Architecture as Applied to Non-Conformist Chapels," in: The Congrational Yearbook 1847, 150 ff.

Blau, E., Ruskinian Gothic: The Architecture of Deane and Woodward, 1845-61, Princeton 1982.

Blondel, J.F., Cours d'architecture, Paris 1771-77.

Blondel, Jacques François, De l'utilité de joindre à l'étude de l'architecture celles des sciences, Paris 1771.

Blore, Edward, Monumental Remains of Noble and Eminent Persons, Comprising the Sepulchral Antiquities of Great Britain, London 1825-6.

Blumenberg, Hans, "Nachahmung der Natur," Wirklichkeiten in denen wir Leben, Reclam 1978.

Blythe, David-Everett, "A Study of Ruskin's Venice," in: New Approaches to Ruskin, ed. Hewison, London 1981, 157-173.

Boas, George, "Nature," in: Dictionary of the History of Ideas, Studies of Selected Pivotal Ideas, ed. P.P. Wiener, New York 1973.

Boas, George, "The Cult of Childhood," Studies of the Warburg Institute, XXIX, London 1966.

Boas, George, "The Arts in the Encyclopédie," Journal of Aesthetics and Art Criticism, XXIII, 1 (1964) 97-107.

Bochner, Salomon, “Symmetry and Assymmetry,” see Wiener (1972) Vol IV, 345-353.

Boffrand, Gabriel Germain, Livre d'architecture contenant les principes généraux de cet art, Paris 1745.

Boisserée, Sulpice, Vues, Plans, Coupes, et Détails, de la Cathédrale de Cologne, avec des Restaurations d'après le Dessin Original, accompagnés de Recherches sur l'Architecture des Anciennes Cathédrales, et de Tableaux Comparatifs des Principaux Monumens, Paris 1821-1835.

Bolla, Peter de, The Discourse of the Sublime: Readings in History, Aesthetics and the Subject, Oxford 1989.

Bond, Francis, Gothic Architecture in England, An Analysis of the Origin and Development of English Church Architecture From the Norman Conquest to the Dissolution of the Monasteries, London 1901.

Bonner, J.T., Morphogenesis; An Essay on Development, Princeton 1952.

Bonner, J.T., "Analogies in Biology," in: Form and Strategy in Science, ed. J.R. Cregg and F.T.C. Harris, Dordrecht 1964, 251-255.

Bonta, Juan P., Architecture and its interpretation: A Study of the Expressive Systems in Architecture, London 1979.

Bosse Abraham, "Regles universelles pour decrire toutes sortes d'arcs," Observations de P. de la Hire, Paris 1672.

Bötticher, C.G.W., Die Tektonik der Hellenen, Berlin 1874 (1844-52).

Bowler, Peter J., The Non-Darwinian Revolution; Reinterpreting a Historical Myth, Baltimore 1988.

Boyle, Robert, "A Free Inquiry into the Vulgarly Received Notion of Nature," in: The Works of the Honourable Robert Boyle, ed. Birck, 6 vols, London 1672 (1744 edition).

Bradley, A.C., English Poetry and German Philosophy inthe Age of Wordsworth, Manchester 1909.

Bradley, J.L. (ed.), Ruskin: The Critical Heritage, London 1984.

Bragdon, Claude, The Beautiful Necessity, Seven Essays on Theosophy and Architecture, New York 1978 (1910)

Brain, Walter Russel, Some Reflections on Genius, London 1961.

Brande, W.T., Outlines of Geology, London 1817.

Brett, David, "The Aesthetical Science: George Field and the Science of Beauty," Art History, IX, 3 (Sept. 1986) 336-350.

Brewster, David, A Treatise on Optics, London 1831.

Brewster, David, Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton, Edinburgh 1855.

Briggs, Asa, Victorian Cities, Harmondsworth 1968 (1963)

Britton, John, Histories and Antiquities of the Cathedral Churches of England, London 1814-1835, (Winchester 1817).

Britton, John, Dictionary of the Architecture and Archaeology of the Middle Ages; including the Words used by Old and Modern Authors in treating of Architectural and other Antiquities: with Etymology, Definition, Description, and Historical Elucidation. Also Biographical Notices of Ancient Architects, London 1830.

Britton, John & Augustus Pugin, Illustrations of the Public Buildings of London, London 1823-1828.

Britton, John, Architectural Antiquities of Great Britain, London 1807-1826.

Brock, Michael, The Great Reform Act, London 1973.

Brönner, Wolfgang Dieter, Blondel - Perrault, Zur Architecturtheorie des 17 Jahrhunderts in Frankreich, Unpublished Phd Diss., Bonn 1972.

Browne, Sir Thomas, The Major Works, ed. C.A. Patrides, Harmondsworth 1977.

Brownell, R.L., A Study of John Ruskin's "The Seven Lamps of Architecture" and "The Stones of Venice," Unpublished Phd Thesis, University of Essex 1988.

Brownlee, D.B., "The First High Victorians: British Architectural Theory in the 1840's," Architectura, (1983) 187-202.

Brües, Eva, “Die Schriften des Francesco Milizia (1725-1798) Jahrbuch für Ästhetik und allgemeine Kunstwissenschaft, 6 (1961) pp. 69-113.

Buckland, William, Geology and Mineralogy Considered with reference to Natural Theology, 2 vols., London 1836, (Bridgewater Treatise).

Buckley, Jerome H., The Triumph of Time: A Study of the Victorian Concepts of Time, History, Progress and Decadence, Cambridge Mass. 1966.

Bullock, John, The Rudiments of the Art of Building Represented in Five Sections, For the use of Architects, Builders, Draughtsmen, Machinists, Engineers, and Mechanics, Stringer & Townsend, New York 1853 (mostly taken from the writings of E. Dobson, 2nd ed. 1855, rev eds. Published in Philadelphia by Henry Cairy in 1865, 1866, 1888).

Bullock, John (ed.), [The] History and Rudiments of Architecture, pp. 246, Stringer and Townsend, New York 1853. "Edited by John Bullock" Contents: 1. The Orders, by W.H. Leeds; 2. Styles of various countries, by T. Bury; 3. Design in Architecture, by E.L. Garbett; 4. Glossary of Architectural terms, by John Bullock. "We have dealt freely with our authors, in attempting to 'Americanize' the borrowed English material." Cost of Book in 1854 was 75 cts.

Burke, Edmund, The Works, 12 Vols. in 6, Hildesheim 1975 (1887).

Burke, Edmund, A Philosophical Inquiry into Our Ideas on the Sublime and the Beautiful, ed. J.D. Boulton, Oxford 1958 (1757).

Burke, Edmund, Reflexions on the Revolution in France, London 1790. (On Nature see esp. pp. 31-32.)

Burke, Edmund, The Writings and Speaches of Edmund Burke, ed. Paul Langford, Oxfod 1981.

Burtt, Edwin A., Types of Religious Philosophy, New York, London 1939.

Burtt, Edwin A., The Metaphysical Foundations of Modern Physical Science; A Historical and critical Essay, London 1924, (rev. ed. 1932, 7th repr., London 1980).

Bury, John Bagnell, The Idea of Progress, New York 1955 (1920).

Bury, T. Talbot, Architecture: The History and Description of the Styles of Various Countries From the Earliest to the Present Period, 4th ed., London 1863.

Butler, Bishop Joseph, The Analogy of Religion, Natural and Revealed, to the Constitution and Cause of Nature, London 1736.

Caldwell, A., "Nature and Architecture," Structurist, 23/24 (1983-1984) 34-9.

Cannon, Susan Faye, Science in Culture; The Early Victorian Period, New York 1978.

Carlyle, Thomas, Selected Writings, ed. Alan Shelton, Harmondsworth 1971

Carter, John, The Progress of Architecture, Illustrated by a series of Drawings taken from Existing Remains in South Wales with Examples of Arches, J.B. Nichols & Son, London 1830.

Carter, John, The Ancient Architecture of England, Part 1: Orders of Architecture during the British, Roman, Saxon and Norman aeras; Part 2: The Orders of Architecture during the Reigns of Henry VI, Edward III, Richard II, Henry VII and Henry VIII, 2 vols., London 1795, 1807 (1795-1814, fol. ed. and 1837 ed. John Britton)

Cassirer, Ernst, The Philosophy of the Enlightenment, Boston 1955.

Cavendish, Richard, et. al., eds., Man, Myth & Magic: The Illustrated Encyclopedia of Mythology, Religion, and the Unknown, New York 1983.

Chadwick, Owen, An Ecclesiastical History of England: The Victorian Church, 2 vols., London 1966, esp. 370-386 on Methodism; 440 ff. on Evangelicalism and 573 ff. Genesis and Geology.

Chadwick, W.O., The Secularization of the European Mind in the Nineteenth Century, London 1975.

Chambers, Sir William,Treatise on the Decorative part of Civil Architecture, 3rd ed., London 1791

Chambers, Sir William,The Decorative Part of Civil Architecture, London 1791. (A very late enlarged edition of A Treatise on Civil Architecture, of 1759 incorporating the notes for lectures delivered in 1770 and 1771, and Laugier and Perrault)

Chambers, Sir William, On the Decorative Part of Civil Architecture, To which are added copious notes, and an essay on the Prinicples of Design in Architecture by J.B. Papworth, J.Taylor, London 1826

Chandrasekhar, S.,Truth and Beauty: Aesthetics and Motivation in Science, Chicago 1987

Charlton, D.G., New Images of the Natural in France; A Study in European Cultural History, 1750-1800, Cambridge 1984.

Choay, Françoise, La règle et la modèle, sur la théorie de l'architecture et de l'urbanisme, Paris 1980.

Choay, Françoise, "Alberti & Vitruvius," Leonis Baptiste Alberti, AD Profiles 21, ed. J. Rykwert, 26-35.

Ciapponi, Lucio A., Il "De Architectura" di Vitruvio nel primo umanismo, Padova 1960.

Clark, Kenneth, The Gothic Revival, An Essay in the History of Taste, New York 1970 (1928).

Clark, Kenneth, Ruskin Today, London 1964.

Clark, Kenneth, Landscape into Art, London 1946.

Clarke, Bowman L., Language and Natural Theology, The Hague 1966.

Cobb, G., English Cathedrals, The Forgotten Centuries, Restoration and Change from 1530 to the Present Day, London 1980.

Cockerell, Charles Robert, On the Architectural Works of Wiliam of Wykeham, London 1846.

Coleridge, S.T., Biographia Literaria, London 1927 (1817)

Collingwood, R.G., The Principles of Art, Oxford 1938.

Collingwood, R.G., The Idea of History, Oxford 1946.

Collingwood, R.G., The Idea of Nature, Oxford 1945.

Collingwood, W.G., "Ruskin's Library," Good Words, XLIV (1903) 120-4.

Collins, G.R., "The Design Procedures and Working Methods of the Architect Antonio Gaudi," in: Papers of the XXIII International Congress of Art History, Granada 1979.

Collins, Peter,"Biological Analogy," Architectural Review, CXXVI (1959) 303-306.

Collins, Peter, Changing Ideals in Modern Architecture 1750 - 1950, London 1965.

Collinson, D., " 'Ethics and Aesthetics are One'," British Journal of Aesthetics, XXV, 3 (Summer 1985) 266 - 272.

Colvin, Howard M., "Gothic Survival and Gothick Revival," Architectural Review, CIII (March 1948).

Colvin, Howard M., A Biographical Dictionary of British Architects, 1600-1840, London 1978.

Coney, John, Engravings of Ancient Cathedrals, Hotels de Ville, and Other Public Buildings of Celebrity, in France, Holland, Germany and Italy, London 1829-1832.

Connor, P., Savage Ruskin, London 1979.

Cook, E.T., Life of Ruskin, 2 vols., London 1911.

Corblet, Abbé J., L'architecture du Moyen Age jugée par les écrivains des dex derniers siècles, Paris 1859.

Cowling, Maurice, Religion and Public Doctrine in Modern England, Cambridge 1980.

Cox, Herbert Arthur,"These Stones," The Story of "The Builder" and of other Builders, The Builder Ltd., London 1937

Craig, Maurice, "James Fergusson," in: Concerning Architecture, ed. John Summerson, London 1968, 140 - 152.

Cresy, Edward & G.L. Taylor, Architecture of the Middle Ages in Italy: illustrated by Views, Plans, Elevations, Sections, and Details, of the Cathedral, Baptistry, Leaning Tower or Campanile, and Campo Santo at Pisa, London 1829.

Croce, Benedetto, Estetica come scienza dell'espressione e linguistica generale teoria e storia, 3rd ed., Bari 1908.

Crook, J. Mordaunt, The Greek Revival; Neoclassical attitudes in British Architecture 1760-1870, London 1972.

Crook, J. Mordaunt, William Burgess and the High Victorian Dream, London 1981.

Crook, J. Mordaunt, "The Pre-Victorian Architect: Professionalism and Patronage," Architectural History, XII (1969) 62-78.

Crook, J. Mordaunt, The Dilemma of Style: Architectural Ideas From the Picturesque to the Post-Modern, London 1987.

Cruickshank, D., "English Reason: Theories Behind the Formation of a Rational Architecture, 1712-50," Architectural Review, CLXXIII (April 83) 49-58.

Cummings, "Charles Bell and The Anatomy of Expression," The Art Bulletin (1963) 191-203.

Cunningham, Allan, Lives of the Most Emminent British Painters, Sculptors and Architects, London 1829-33.

Curl, James Stevens, Victorian Architecture, London 1990.

Currie, Robert, Genius, An Ideology in Literature, London 1974

Cuvier, Georges, Essay on the Theory of the Earth, translation of the "Discours preliminaire," of the Recherches sur les Ossemens Fossiles by R. Kerr, London & Edinburgh 1813.

Dale, Peter Allan, The Victorian Critic and the Idea of History: Carlyle, Arnold, Pater, Cambridge Mass./London 1977.

Davies, Horton, Worship and Theology in England 1534-1965, Princeton 1961-1975. From Watts and Wesley to Maurice, 1690-1850, (1961) From Newman to Martineau, 1850-1900, (1962) 1962.

Davy, Christopher, Architectural Precedents; with Notes and Observations, London 1840.

Dawson, Christopher Henry, Religion and Culture, The Gifford Lectures of 1947, London 1948.

Deonna, Waldemar, & Eugenio Battisti, "The Concept of Character in Treatises on the Representational Arts," Macgrawhill Enc. of World art, London 1967, Colls. 366--369.

Derrida, Jacques, Dissemination, translated with and Introduction and additional notes, by Barbara Johnson, Chicago 1981.

Desgodetz, Antoine, Rome, in its ancient Grandeur; displayed in a series of engravings, presenting the architectural antiquities of the imperial city accurately measured and delineated...By Antoine Desgodetz...with copious notes, architectural classical, and historical under the superintendence of Mr. Charles Taylor, Sherwood, Gilbert and Piper, London 1848.

Desgodetz, Antoine, The Ancient Buildings of Rome, transl. by George Marshal (architect), 2 vols., London 1771 & 1795, fol.

Dieckmann, H., "Theories of Beauty to the Mid-Nineteenth Century," in: Dictionary of the History of Ideas, ed. P.P. Wiener, New York 1973.

Dixon, R. and Muthesius, S., Victorian Architecture, London 1978.

Dobai, J., Die Kunstliteratur des Klassizismus und der Romantik in England, 4 Vols., Bern 1974-84.

Dobson, E., A Rudimentary Treatise on the Manufacture of Bricks and Tiles etc., 2 vols. London 1850. 12o. (C. Lockwood ed. 1893)

Dobson E., The Students Guide to the Practice of Designing, Measuring and Valuing Artificers Works, ed. E. Dobson. J. Weale, London 1852 (2nd edition) and 1858 (3rd edition) with the additions on design by E.L. Garbett. (The first edition came out in London 1843, and was called: The Students Guide to the Practice of Measuring and Valuing Artificers works, Present in the B.L. No. 1400. f. 20 (1852 edition) and 7816 a 18 (1858 edition).

Dobson, E., Rudiments of the Art Of Building...fifteenth edition revised to date, with an Additional Section on "An Ideal Dwelling," by J.P. Allan etc., Crosby Lockwood & Son, London 1907, 8o.

Don Vann, J. & Rosemary T., Van Arspel, Victorian Periodicals: A Guide to Research, New York 1978.

Donaldson, T.L., Architectural Maxims and Theorems in Elucidation of Some of the Principles of Design and Construction: and a Lecture on the Education and Character of the Architect, J. Weale London 1847.

Donaldson, Thomas Leverton, "Some Particulars relating to Manuscripts of Vitruvius, preserved in various European Libraries," in: Transactions of the Institute of British architects of London, J. Taylor, London 1835-36.

Donaldson, T.L., Preliminary Discourse Pronounced Before the University College of London upon the Commencement of a Series of Lectures on Architecture, Taylor and Walton, London 1842.

Eastlake, Charles L., A History of the Gothic Revival, 1872. (ed. with an Introduction by J. Mordaunt Crook, Leicester, New York 1970)

Eck, Caroline van, Organicism in nineteenth century architecture, an enquiry into its theoretical and philosophical Background, Amsterdam 1994.

Eck, Caroline van, "'Par le style on atteint au sublime,' De Betekenis van de term 'stijl' in de Franse architectuurtheorie van de late achttiende eeuw," Archis, 10 (1993) 72-80.

Eco, Umberto, La Struttura Assente, Bologna 1968.

Edwards, Trystan, Good and Bad Manners in Architecture, London 1924.

Eidlitz, Leopold, The Nature and Function of Art, More especially of Architecture, London 1881.

Eiseley, Loren, Darwin's Century, Evolution and the men who discovered it, Garden City 1959.

Eliade, Mircea, The Sacred and the Profane; The Nature of Religion, the Significance of Religious Myth, Symbolism, and Ritual within Life and Culture, New York 1959.

Eliot, T.S., Selected Essays, London 1932, (1972)

Emerson, R.W., The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, ed. W.H. Gilman. Cambridge Mass 1960 -.

Emerson, R.W., The Complete Works of Ralph Waldo Emerson, ed. Edward Waldo Emerson, Boston and New York 1903-1904.

Emerson, R.W., The Works of Ralph Waldo Emerson, London 1883.

Emerson, R.W., The Letters of Ralph Waldo Emerson, ed. Ralph L. Rusk, New York 1939.

Emerton, Norma E., The Scientific Reinterpretation of Form, Ithaca 1984.

Emslie, P.J.G., Conflict and the Competition, B.Arch Diss. Univ. of Liverpool 1978.

Ettlinger, L.D., "On Science, Industry and Art: Some Theories of Gottfried Semper," Architectural Review, CXXXVI (1964) 57-60.

Evans, Eric J., Britain Before the Reform Act: Politics and Society, 1815-1832, London 1989.

Everitt, Judith, Phillip Henry Gosse: A Victorian Case History, Doct. Thesis 1969.

Fairchild, Hoxie Neale,Religious Trends in English Poetry; vol 4: Christianity and Romaniticism in the Victorian Era, 1830-1880, London 1957.

Fawcett, Trevor, "Visual Facts and the Nineteenth-Century Art-Lecture," Art History, VI, 4 (Dec. 1983) 442-460.

Fellowes, C., An Account of the Discoveries in Lycia, London 1841.

Fellowes, C., A Journal writtn during an Excursion in Asia Minor in 1838, London 1839.

Fellows, Jay, Ruskin's Maze: Mastery and Madness in his Art, Princeton 1981.

Fergusson, J., An Historical Inquiry into the True Principles of Beauty in Art, More Especially with Reference to Architecture, London 1849.

Ferrey, B., Recollections of A.W. Pugin and his Father Augustus Pugin, With Notes on Their Works, London 1861.

Fichet, Françoise, La théorie architecturale à l'âge classique: essai d'anthologie critique, Brussels 1979.

Field, George, Rudiments of the Painter's Art: or a Grammar of Colouring, London 1850.

Field, George, Chromatography; or, A treatise on Colours and Pigments, and of Their Power in Painting etc., London 1835.

Field, George, Chromatics, or an Essay on the Analogy and Harmony of Colours, London 1817.

Field, George, Outlines of Analogical Philosophy; Being a Primary View of the Principles, Relations and Purposes of Nature, Science and Art, 2 vols., London 1839.

Field, George, "Aesthetics; or, the Analogy of the Sensible Sciences indicated, with an Appendix on Light and Colours," The Pamphleteer, XVII, London 1813.

Fishman, S., The Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Roger Fry and Herbert Read, Berkeley, Los Angeles 1963.

Fitch, Raymond, E., The Poison Sky: Myth and Apocalypse in Ruskin, Athens 1982. (Review: T. Hilton, Times Litt. Suppl. 22 Oct. 1982, 1153-1154)

Flew, R.N., The Idea of Perfection in Christian Theology, Oxford 1934.

Fonnereau, T.G., On the State of Architecture in London, London 1842.

Foucault, Michel, The Order of Things, New York 1971.

Frampton, Kenneth, Modern Architecture, a Critical History, London 1992 (1980).

Frankl, Paul, The Gothic: Literary Sources and Interpretations Throughout Eight Centuries, Princeton 1960.

Fraser, Hillary, Beauty and Belief, Aesthetics and Religion in Victorian Literature, Cambridge 1986.

Frew, John M., "James Bentham's History of Ely Cathedral: A Forgotten Classic of the Early Gothic Revival," Art Bulletin, LXII, 2 (June 1990) 290-292.